Cultured Magazine

Sept/Oct/Nov 2018

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78 culturedmag.com From a distance Aaron Curry's sculptures often look like two- dimensional monsters. As one gets closer the flattened image expands, and one sees his abstractions for what they are—a negotiation of mass, color and form. On October 14, Curry and his greatest hits land at The Bass in Miami for "Tune Yer Head," a solo survey that takes the form of an immersive environment. To transform the museum halls into a fully realized landscape, Curry will install complementary carpet and wallpaper for the first time. In short, his colorful beasts will have a place to call home! THEBASS.ORG Dancing with Paint For Grace Weaver's solo debut with James Cohan, the New York-based painter unveils a body of work that embraces the imperfections of the painting process. "Painting is so much about problem solving, and acrylic comes with its own set of challenges," Weaver says during a visit to her studio. Her new series celebrates the quick-drying nature of acrylic paint and the choreography of her custom brushes and markers, which she implements in order to create her striped shirts and continuous lines. See her works through October 28 and head to culturedmag.com for an extended conversation. WWW.JAMESCOHAN.COM Grace Weaver's ten-step, 2018 On November 1, Miami says hello to its first Creative Time Summit. This year's theme derives its inspiration from the unique position the Floridian city occupies in relationship to climate change, international immigration patterns and queer cultures. Titled "On Archipelagos and Other Imaginaries—Collective Strategies to Inhabit the World," the summit brings together artists, scientists, technologists and philosophers for a discussion on how we can do better by one another. Tickets are available online. CREATIVETIME.ORG PHOTO BY SARAH TRIGG; COURTESY OF THE ARTIST AND JAMES COHAN GALLERY; PHOTO BY ANTHONY GEBREHIWOT, COURTESY OF CREATIVE TIME Crack Rodriguez performing during the Creative Time Summit "Of Homelands and Revolution" in Toronto, Canada, 2017.

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