Cultured Magazine

Sept/Oct/Nov 2018

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The star of "The Encyclopedic Palace," the 2013 Venice Biennale exhibition, Hilma af Klint's nonobjective paintings and drawings from the early 20th century reset the timeline for abstract imagery. A reclusive figure whose works did not emerge on the market until well after her death in 1944, Klint's biomorphic compositions call to mind horticultural diagrams conceived on psychedelics—and showcase a level of mysticism not found in successors like Kandinsky. This fall, the Guggenheim gives over Frank Lloyd Wright's Rotunda to the late artist's legacy. GUGGENHEIM.ORG culturedmag.com 81 Vita Haas and Lucy Weisner's pop-up retail concept, Café Forgot, acts as a platform for young and even reluctant fashion designers to connect with new customers. Based in New York, the female-run boutique set up shop at 165 Duane Street this summer, offering one-of-a-kind garments from designers like Lou Dallas, Gauntlett Cheng, Poche and Onea Claire. This November the duo launches their first book and latest retail space. Learn more about their unique approach to commerce on culturedmag.com. CAFEFORGOT.COM Sinuous Curves Zanotta was one of Carlo Mollino's earliest supporters, and this year, the design house pays homage to the Italian architect by re-issuing several of his pieces, including the Fenis chair. Captured here by Mollino himself (who dabbled in erotic photography), the Fenis chair's curvature is emblematic of the slinky forms he introduced into the furniture vocabulary of the 1950s and '60s. ZANOTTA.IT Hilma af Klint's Untitled, 1920 PHOTO BY CHRISTIAN DEFONT; ALBIN DAHLSTRÖM, THE MODERNA MUSEET, STOCKHOLM; MUSEO CASA MOLLINO, TORINO

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