City Trees

November/December 2019

City Trees is a premier publication focused on urban + community forestry. In each issue, you’ll learn how to best manage the trees in your community and more!

Issue link: https://read.dmtmag.com/i/1182418

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3. Communicate Creatively Most industries are good at sharing ideas amongst them- selves because they speak the same language, but how can we bridge that gap to find common ground across disciplines? I am an advocate for creating new and inno- vative ways to share ideas and stories—whether it's through film, creative writing, or art installations. As an example, the objective of my film, Women Branching Out: A Diversity of Careers in Arboriculture and Urban Forestry, produced in collaboration with Fleming College, was to profile women's work in our industries and to inspire and encourage more young women to enter the fields. Similarly, I was writer and director of the 2013 film funded by Toronto Public Health, Partners in Action: A Shade Policy for the City of Toronto, exploring the twelve- year journey of the City of Toronto's UVR (Ultraviolet Radiation) Working Group by profiling members, dis- cussing the policy, presenting examples of shade in Toronto, and demonstrating the necessity of multi-dis- ciplinary collaboration for skin cancer prevention. This film won the 2014 Canadian Dermatology Association Public Education Award. Since then, the film has been screened at various conferences and community events and shared across multiple platforms, and the chair of our Toronto Cancer Prevention Coalition Shade Policy Committee has received calls from municipalities across Canada who want to develop their own shade policies. Dr. Bardekjian and her colleague Lorien Nesbitt co-curated a photography exhibit called "Human Faces, Forest Places" for the "Do Rainbows Come in Green? Urban Forests and Multicultural Citizenship" event at the University of British Columbia in 2017. One of my colleagues used to frequently say to me, "GEPO" (Good Enough Push On) ... Perfection is subjective, and when we hold impossibly high standards, we may miss the larger picture. 22 CityTREES

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