Key Milwaukee

Febuary 2025

An A-Z visitors guide to Milwaukee Wisconsin. Sponsored by Key Magazine Milwaukee, Wisconsin

Issue link: https://read.dmtmag.com/i/1531840

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18 keymilwaukee.com u Through March 15 LaNia Sproles: King for a Day Margaret Muza: On Reflection Mark Ottens: Slowcoach Portrait Society Gallery of Contemporary Art u Through March 16 Douglas Hyslop Seeing Through Explores themes of love and loss, fatherhood, and the existential. MOWA on the Lake u Through March 16 Light and Shadow: John Constable's English Landscapes in Print A series of mezzotint prints that depict the English countryside Milwaukee Art Museum u Through March 16 True Story: Photography, Journalism, and Media Drawn from the museum's photogra- phy and media arts collection. Milwaukee Art Museum u Through March 31 The Astronomy Showcase Witness the beauty of the universe from Milwaukee Astronomical Soci- ety (MAS) amateur astronomers and astrophotographers. This gallery show- cases the beauty of nebulas, galaxies, auroras, star clusters and more. Schlitz Audubon Center u Through April 27 On the Edge: The Labor and Environment of Dimensional Stone Quarries Photographs by Mi- chael Schultz capture the sheer size and scale of monumental industrial operations. Grohmann Museum u Through May 11 Disruptive Ecologies A group exhibition that delves into how artists wield their practices to challenge oppressive systems and forge connections with communities, their inner selves, and the Earth. Villa Terrace Museum u Through May 24 Visual Legacies: Photographs by Ellie Lee Weems Features selected photographs from the Auburn Avenue E V E N T S 3468 N. Oakland Ave • Milwaukee • (414) 963-9623 • www.atouchofsicily.com Traditionally baked for 90 seconds in a 900-degree (°F) Acunto Mario wood-fired oven from Naples, Italy MILWAUKEE'S AUTHENTIC PIZZA NAPOLETANA SPECIALIZING IN SOUTHERN ITALIAN STYLE CUISINE 1ST PLACE PIZZERIA WOOD-FIRED OVEN u Through April 13 Impressions in Clay The Sculpted World of Adolph Rosenblatt Rather than using traditional sculpting tools, Rosenblatt used his hands to form clay with highly textural, expressive surfaces that captured the posture and emotions of his subjects—a style reminiscent of impressionist painting. Museum of Wisconsin Art

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