Cultured Magazine

Sept/Oct/Nov 2018

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80 culturedmag.com On November 16, Berlin- based artist Ceal Floyer makes her triumphant return to London with a solo show that takes over the recently renovated Lisson Gallery. Known for her sly sense of material humor, Floyer's upcoming exhibition promises to address—or perhaps more accurately, undress—the updated white cube. "The subtle but significant remodeling of Lisson's space since my last show there seemed to call for a subtle but significant change of approach (even the door has moved around the corner)," she says nonchalantly. You can almost hear her smirk. LISSONGALLERY.COM "When Tara Willis and I set out to curate a show together, we quickly landed on movement, place and identity as central themes uniting our work," says Grace Deveney, the assistant curator at Chicago's Museum of Contemporary Art. The resulting group exhibition, "Groundings," invites six artists into the museum to perform and rehearse as if full-time residents. Deveney adds, "We hope this show awakens in our viewers a new consideration of the forces—both seen and unseen—that govern our daily lives." MCACHICAGO.ORG Body Positive This past February, New Yorkers were treated to a rare showing of Sue Williams's early paintings at Skarstedt's uptown gallery. The cheerful palette and blatant eroticism of her '90s canvases provide context for the bodily abstractions in her new work. Those traveling to London this fall can see this transition in all its glory, at Williams's exhibition of new paintings on view at Skarstedt's UK location. SKARSTEDT.COM Annette Kelm's Untitled, 2012 PHOTO BY ANDREA ROSSETTI; © 2012 ANNETTE KELM COLLECTION MUSEUM OF CONTEMPORARY ART CHICAGO, GIFT OF JENNIFER AUBREY, 2015.15; © SUE WILLIAMS, 303 GALLERY, NEW YORK Ceal Floyer's Overhead Projection, 2006 Sue Williams's All Quiet, 2018

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