Key Milwaukee

June 2021

An A-Z visitors guide to Milwaukee Wisconsin. Sponsored by Key Magazine Milwaukee, Wisconsin

Issue link: https://read.dmtmag.com/i/1378720

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keymilwaukee.com 5 VIR TUAL PROGRAMS Enrich your Americans in Spain experience through a variety of virtual programs. Events are free and open to the public; find details and registration information at mam.org/events. Lecture: Spain's Influence on John Singer Sargent June 24, 5:30pm With curator Sarah Cash, American and British paintings, National Gallery of Art Lecture: A Closer Look at the Works in Americans in Spain July 29, 5:30pm With Richard Kagan, author of The Spanish Craze, and manuscript scholar Marianna Shreve Simpson Lecture: Spain's Islamic Heritage Aug. 26, 5:30pm With Professor Eugenia Afinoguénova, Department of Languages, Literatures and Cultures, Marquette University In Conversation: Travel in Spain with Rudy Maxa and Brandon Ruud Sept. 9, 6:15pm With the host of the Emmy Award–winning travel series "Rudy Maxa's World" In Conversation: Spanish Art and American Portraiture Sept. 30, noon With Spanish art historian Alba Campo Rosillo featured expand upon areas of particular strength in the Museum's collection, including artists of the Ashcan Circle and the Eight. Among the exhibition's highlights are John Singer Sargent's famous Carmencita (1890) from the Musée d'Orsay; a newly discovered painting by Mary Cassatt from a Madrid private collection never before shown in the United States; and Spanish old masters on loan from the Prado Museum. An app created specifically for the exhibition includes bilingual audio commentaries and additional information on select works. The Artist-Travelers Project, an interactive website, allows visitors to see the guidebooks the artists used, letters they wrote, routes they took, and more. Both are available at mam.org/americans- in-spain. Admission to the Museum is by advance ticket purchase at mam.org/visit. Face coverings are required to help support a safe environment for everyone. Supported by an indemnity from the Federal Council on the Arts and the Humanities. Any views, findings, conclusions, or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities.

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