Cultured Magazine

Winter 2016

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274 culturedmag.com winning project features a huge, showstopping cantilever, 28 stories up, with gardens, a pool and a heliostat system that directs sunlight onto shaded areas of the complex, while its underside becomes a huge light installation at night. At least in spirit, One Central Park was a significant precedent for a residential development by Nouvel that has just broken ground in Miami Beach—his first project in a city now awash in buildings by star architects. Called Monad Terrace, it overlooks Biscayne Bay. "There are a lot of 1950s and '60s drab buildings on that corridor," says Michael Stern, CEO of the JDS Development Group, which hired Nouvel for the project. "We wanted someone who could come in and do something dynamic and new—sort of a nuclear bomb of design in a positive way." Nouvel, who describes the site as "very cinematic," designed two buildings—one 14 stories high, the other seven stories—separated by lush gardens, a swimming pool and lagoon that appear to merge seamlessly with the bay. This allée of water was devised to serve as a buffer against storm surges and rising seas (a real and growing threat) and also act as a kind of mirror, the architect explains, casting reflections up into the apartments and creating "very poetical, atmospheric effects that are always changing throughout the day and the night." The exposures facing neighboring buildings are draped with vertical gardens to provide privacy, while views are channeled toward the bay on one side and the ocean on the other. "It's totally protected," says Nouvel, "and you are completely in relationship with the beauty of the site." Now 71, Nouvel still keeps a relentless schedule and travels constantly, though he escapes as often as possible to his home in Saint- Paul de Vence, in the South of France. "I work there with a little staff very often," he says. "In this place I try to be quiet, to think in a better way for inspiration. It's good for creating." As he has throughout much of his career, Nouvel continues to design products and furniture, mostly reductive and minimalist in spirit. Among his latest creations are a sleek desk and storage unit for Unifor, vinyl carpeting for Bolon and wallpaper for Maharam inspired by his 2010 summer pavilion for London's Serpentine Gallery. The Musée des Arts Décoratifs in Paris is offering a rare look at this lesser-known side of Nouvel's oeuvre with a comprehensive survey of his furniture and objects, on view through February 12. Integrated with traditional works from the museum's permanent collection are more than 200 pieces by Nouvel, from furniture and lighting he devised for Artemide, Cassina, Ligne Roset, Poltrona Frau, Roche Bobois and other companies to tableware for Georg Jensen to limited-edition pieces for his galleries, Patrick Seguin and Gagosian. Meanwhile, over the next few years, legacy- shaping landmarks by Nouvel will be joining city skylines across the globe, starting with the nearly completed twin Le Nouvel apartment towers in Kuala Lumpur (clad in vertical gardens by Blanc) and residential high-rises for two different developers in Singapore. In New York, his much discussed—and debated—53W53 building, a lithe and gracefully sloping 82-story skyscraper, is rising next to the Museum of Modern Art. In Paris, his strikingly faceted Hekla tower will become a new beacon in the La Défense district. And an arresting hotel-residential building he designed for Rosewood in São Paulo—incorporating the brand's first six-star property in Latin America—promises to transform a historic site in a bustling area of the city. As this list of projects shows, Nouvel has never shied away from luxury, but his work is grounded in a minded belief that architecture's responsibility is to improve its surroundings and to serve a larger social purpose. Or, as he puts it, "With one building you can change the nature of a place." COURTESY ATELIERS JEAN NOUVEL

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